Women Conductors Gateshead 2022/23
Royal Northern Sinfonia, the orchestra of The Glasshouse, and the Royal Philharmonic Society (RPS) are collaborating on a multi-year partnership representing a new phase in the highly-regarded RPS Women Conductors programme, bringing the next big female conducting talents to the North East.
Established in 2014 by conductor Alice Farnham, the Women Conductors programme has helped over 500 women try their hand and further their skills at conducting in a range of courses at varying levels nationwide. This new phase brings together some of the most promising conductors twice a year to spend dedicated time furthering their skills with Royal Northern Sinfonia and receive support and guidance on attaining professional opportunities year-round.
The partnership got underway with a two-day pilot at The Glasshouse in June 2021. A cohort of seven exceptional conductors from across the UK and Ireland will take part. Over several two-day courses at The Glasshouse between January 2022 and June 2023, they will spend dedicated time conducting the orchestra with coaching from Alice.
Meet the Conductors 2022/23
Constança Simas
“I started conducting in the Bachelor of Orchestral Conducting in Lisbon in 2013, and I was amazed at the infinite possibilities to interpret orchestral music.
“It’s important that I create new ways of reaching diverse audiences, so while studying at the Royal Welsh College of Music and Drama, I tried to produce shows that connected with everyone.
“In 2021, I conducted the Southbank Sinfonia and the Welsh National Opera orchestra. I was a part of the Young Women Opera Makers residency of the Festival Aix-en-Provence and a fellow of the Georgia Symphony Orchestra programme in Atlanta until July 2022.”
Charlotte Corderoy
“My journey began as an undergraduate Organ Scholar. A love of people and a desire to understand how music fits into their lives drew me to conducting.
“At university, I won the Conducting Scholarship of Schola Cantorum, the university’s premier chamber choir. I was appointed Principal Conductor of the Oxford University Philharmonia and the Musical Director of the Oxford Contemporary Opera Society.
“After graduating, I spent a year working at Charterhouse School, as I’m especially passionate about working with young people. Recently, the Festival d’Aix-en-Provence invited me to participate in the Young Women Opera Makers residency.”
Hannah von Wiehler
“I was studying violin performance at Moscow’s Tchaikovsky Conservatory when a wrist injury forced me to step away from the violin in 2011.
“I chose to study languages and literature at Georgetown University. Through a bizarre turn of events, I became a personal assistant to one of the world’s greatest conductors, Valery Gergiev.
“I realised my injury was an opportunity: I needed to be a conductor. I moved to the UK to pursue a doctorate at Oxford while learning to conduct. Within 18 months of picking up a baton, I had a contract with a professional orchestra. I also founded an orchestra, which I continue to steer.”
Helen Harrison
“As a comprehensive school student brought up in Lancashire, music opened up life-changing possibilities.
“After reading Music at Cambridge University, where I conducted the College orchestra, I pursued a career in the corporate sector but didn’t feel true to myself.
“I accepted the role of Music Director of Young Sinfonia (Royal Northern Sinfonia’s youth orchestra) in 2022, and alongside guest conducting engagements, I am the Music Director for Blackpool Symphony Orchestra, Preston Opera and Lytham Choral Society.”
Lada Valesova
“I got bitten by the conducting bug after years of being a pianist, chamber music player, vocal coach, music director and educator. When the moment of ignition arrived, I set out to bring together my skills and experience to date and to channel them into conducting.
“Opera Holland Park [OHP] gave me my first assistantship in Tchaikovsky’s Iolanta. I also debuted conducting in Le Nozze di Figaro with OHP Young Artists and the City of London Sinfonia.
“I’ve assisted in the production of Tosca at the Royal Opera House, with more opera-conducting engagements coming in the future.”
Rita Castro Blanco
There’s still so much I want to achieve, learn and share with other musicians on my journey to become a conductor.
“After completing my conservatoire studies as a violinist, I switched to the baton and completed a Bachelor’s degree in Orchestral Conducting at Academia Nacional Superior de Orquestra. I obtained a Master of Music in Performance degree from the Royal Northern College of Music.
“Recently, I have been developing my interest in opera and contemporary music, leading me to participating in the Women Conductor’s Mentorship at the Festival d’Aix-en-Provence and the Conducting Fellowship at the Lucerne Festival.”
Tess Jackson
“My musical journey started as a violinist and pianist, but I picked up a baton at school and quickly realised that that is where my passion lies.
“During my undergraduate degree at Cambridge University, I was Principal Conductor of the Cambridge University Sinfonia and the Cambridge Graduate Orchestra.
“To help bring opera to new audiences, I was Musical Director for the Cambridge University Opera Society’s [CUOS] production of The Last Hotel by Donnacha Dennehy: a contemporary multimedia opera and the first by a living professional composer to be staged by CUOS in 45 years.”
